Friday, August 22, 2014




ROUND ROBIN, AUGUST 23rd, 2014.

Topic: Have you ever read or written a story that had a secondary character take over a story?

In my first published romance, ‘Faith, Hope and Love,’ the housekeeper Hannah (thrown in for light relief) stole the scene quite a number of times.
The story begins with Rachel the heroine and Luke the hero in court over custody of Luke’s infant nephew.  When Rachel collapses, Luke blames himself and takes her home to his ranch and Hannah.
Hannah’s worked for Luke’s parents since she was a teenager and is a member of the family now.  Deeply upset by the death of Luke’s brother and his wife and passionately wanting to set things right for their infant son Gordie, Hannah knows Rachel and Luke were made for each other.
As soon as Hannah senses the special tension between Rachel and Luke, she starts matchmaking with a vengeance. 
At one point she almost earned an entire chapter to her ‘good works’.  It was hard to keep her within the parameters of her role as secondary character as the story went on!

A friend told me she got caught up in the book just waiting to see what Hannah would do next to bring Luke and Rachel together.  That’s a compliment every writer needs to hear every now and then.

Thanks Rhobin for all you do.

Let’s head over to Rhobin’s blog to see her input on this topic.

Rhobin Courtright    http://rhobinleecourtright.com

Here are the other members participating this month:

Victoria Chatham http://www.victoriachatham.webs.com







Friday, June 27, 2014

JUNE ROUND ROBIN, SATURDAY 28th JUNE, 2014



FIREWORKS!

Post your best explosive (literally or figuratively, physically or emotionally) scene from your writing. Tell about your reaction to writing it, background information, etc.

One of the most emotionally explosive scenes in my writing was in my first book, Faith, Hope and Love. 

Here’s the excerpt from FAITH, HOPE and LOVE, available at http://www.amazon.com/Faith-Hope-Love-Homespun-Romance-ebook/dp/B00EKNTNTM:

“The judge's entrance fast forwarded the drama.  Luke detached himself from the scene, willed himself into the role of impartial outsider.  It was the best way he knew to help himself. 
Both counsels presented their cases.  Both clients wanted the same thing.  Custody of ten-month-old Gordon Summers.
He was called to the stand, reminded of the oath he'd taken.  Myrna gave him an it's-in-the-bag smile and Luke realized he hated rapacious women with too white teeth.  But then he'd wanted the best lawyer.
"Mr. Summers would you share with the court, the details of the twentieth of July?"
Luke cleared his throat.  His eyes swerved to Rachel Carstairs.  She sat on the edge of her seat.  For the first time that morning she was looking straight at him.  Not through him.  The look in her eyes were twin drills, boring into his brain.
"I was spending the weekend on the ranch I co-owned with my late brother."  The words conjured instant pain.  "My brother and sister-in-law had decided to fly to Palm Springs for a charity gala."  Another pause, longer this time.  The muscle throbbing in his jaw made it hard to sound matter-of-fact.  "Their plane crashed ten minutes after takeoff.  It exploded on impact.  There were no survivors."
He looked her way again.  Her stillness tugged at him.  Both arms were wrapped around her body.  As if she was cold.  As if she wanted to shut out the scene he had just painted.  In that moment Luke knew that she had loved Chris.  The thought landed on the top of his already high pile of doubts, escalating his uneasiness.
They should have found another way of sorting out their differences.”


While writing this scene, I felt the immense sadness of Rachel at losing her only living relative in the world; her cousin Chris.  I also felt Luke’s deep sense of loss over his brother and sister in law’s death.  She had flown half way around the world and had nothing except the love she felt for her late cousin and the urge to do her best for Chris’s son.   The little boy she felt was her one shot at giving and finding love.
Luke has everything…a big ranch, money, power.  Rachel has a small savings account. 
It was a given Luke would win and Rachel would be out in the cold again.
The court case is the beginning of their romance.  Ten month old Gordie is an amazing matchmaker and of course everything ends well.
Feeling Rachel’s pain and sense of inadequacy from the minute she set eyes on Luke helped me paint the scene with the right brush strokes of emotional tension.

Thanks Robin for including me as we light up the sky.

Let's go over to the next blog and see what exploding there...






Thursday, June 19, 2014

The January Green and Gold Mystery

THE JANUARY GREEN AND GOLD MYSTERY

A multi cultural quartet and a tutor who is from India set about solving crimes in a Los Angeles suburb.

Bethany Graham is an introvert almost fourteen year old. Since her Dad died she’s prefers her own company to anyone else’s. 
Very conscious of her large frame (she feels she’s built like Fort Knox) and plain looks, the last thing Bethany wants in the world is to draw attention to herself. How will she explain to Alexis Evelyn Raquel Rodger the fifth that her mother has hired a sari clad Indian Math tutor for her? 
Lexi will die laughing and Bethany is sure she will die of humiliation when Lexis spreads the word. 
Bethany soon discovers Mrs. Jaya Naidu isn’t just a sari clad Math tutor. She’s lived a fascinating life and has actually solved several crimes. With her help Bethany starts a mystery club and suddenly she’s in demand. The proof of the pudding is in the eating and will Bethany and the members of the Green and Gold Mystery Club be able to discover who’s behind a local burglary or will the Club dissolve before it gets off the ground? 




http://www.amazon.com/Green-Gold-Mystery-January-Book-ebook/dp/B00I0IEBLS

Saturday, May 24, 2014

Round Robin for May: Settings and Danger






Saturday, May 24, 2014

ROUND ROBIN TOPIC:  Do you have a preference for a certain time and place for a story?
What is the most inspiring, romantic, or dangerous setting you have ever read or written?

I don’t have a preference for a certain time or place.  Once a story takes root in my mind, the characters and setting automatically get created as a follow up. 
I like to pick different setting for my stories so I can have the pleasure of researching something new/learn something with each book I write.

As to the most dangerous setting I’ve read or written:  I’ve read so many but the one I’ve written in a historical I’m revising now is uppermost in my mind.

My historical, ‘Honor Bound’, starts in India and ends in Herat, a tiny kingdom in Afghanistan.  In order to reach Herat to prove her father’s innocence, the heroine is forced to drug the hero and take the place of his servant till they are far away from civilization and she can convince him to let her accompany him. 
Part of their journey involves crossing the dreaded Thar Desert where danger awaits in more ways than one.

 They end up in a camp of a sheikh notorious for trading with slave dealers.  The scene made my flesh crawl while I was writing it and the research turned up facts about dealers in human flesh that made me sick.

If you can bear with me a little longer, here’s an excerpt from the book, ‘Honor Bound’ so you can see for yourself what I’m talking about.

Through the slit he had made in the rear of the tent Jonathan surveyed the scene outside.  He had a clear view of the area in the center  of the compound ringed by tents.   What he saw told him the situation was as bad as it could get.   They were in the camp of Amjad Khan, notorious slave dealer and one of the cruelest men alive.
In the blistering heat, sat a line of semi-clothed slaves.  Heavy chains attached to the iron shackles at their necks and hands linked them to each other.  Young men and young girls, naked from the waist up, stared into space, impervious of what was going on around them.  Their expressions indicated they had passed beyond contemplation of their future.  Jonathan had seen the same look on the faces of men after  battle.  Minds weighed down by problems too great to handle often snapped and went totally blank. 
A Turk appeared in front of the slaves, slopping gruel into wooden cups that he placed in their hands.  The slaves were fed regularly, because no one would buy them unless they were young and healthy. 
As he wondered how long it would take for Amjad Khan to order them brought before him, a noise at the entrance to the camp claimed his attention.  Heads turned in the direction of the group of men that had ridden in.  Dismounting the finest piece of horseflesh Jonathan had seen in a while, a man waddled in the direction of the main tent. 
He was met at the door by an imposing figure dressed in a white robe with a black headdress.
"Who is that greeting the visitor?"  Xandra had maneuvered herself under his arm, and was sharing the slit with him. 
"Amjad Khan," Jonathan’s gaze was fixed on the face of one of the slave girls.  Her expression was one of abject terror.  It didn't need much intelligence to guess what had caused her fear.  Even from this distance Amjad Khan's corpulent face and cruel visage advertised a man of deep and horrific passions.  "The man who will decide our fate."
"He looks like the devil in disguise."  Her voice shook and she pulled back from the slit and looked at him.
Amjad Khan motioned his guest into his tent.  The other man shook his head.  No time for the usual refreshments, Jonathan guessed.  Probably there was a rich buyer waiting impatiently somewhere for the new consignment.  With a wave of his hand, Amjad Khan led the man over to the line of slaves, henchmen hurrying in their wake.
"Let me see."  Xandra fixed one eye to the slit again.  Jonathan sighed, but other than move her aside bodily there was no way he could prevent her observing what was to follow.
The buyer pointed, and the chosen slaves were culled from the rest to stand in a group.  He beckoned, and a few of his men approached the group.  The slaves were driven to mud structures little more than hovels with walls on three sides that were shoulder high, to be examined.  An occasional cry followed by a rough laugh or the sound of a blow reached their ears.  Jonathan was surprised any of the slaves even had the strength left to cry out or resist.
"What are they doing?" hissed Xandra. 
"Examining the slaves."
An unwanted mental picture of their being stripped and prodded like cattle, disturbed Jonathan. 
Only one slave remained seated on the ground.  The young woman whom Jonathan had seen staring at Amjad Khan in terror.  The slave dealer looked at her, and then said something to the visitor who spat in the dirt and laughed .  Amjad Khan again gestured toward his tent.  This time the visitor nodded.  A barked order and the girl was led to the tent by a guard while Amjad Khan and the visitor stood out in the open. 
From their dramatic gestures and loud remarks, Jonathan guessed they were haggling over the final price.  A pouch exchanged hands, and then Amjad Khan clapped the other man on his back and gestured with his hand to his tent.  With a pleased smile, the visitor walked towards it.
"What is he doing?" Xandra demanded.
Jonathan dragged her away from the opening.  "Nothing you need concern yourself with."
"Why did they take that girl to Amjad Khan’s tent?"
Jonathan looked at Xandra and sighed.  This wasn't the time for a discussion on  the sexual aspects of the slave trade.  Besides, the expression in her eyes told him knew what was happening, but her mind balked at the explanation.   He should never have agreed to escort her to Herat.  The drugs she and her retainer had used must have been mind altering.  It was his fault she was in this situation.  He had known what might happen on the journey.  She hadn’t.
Guilt was a deliberate bite in his voice as he said, "I don't have all day to stand here talking to you.  Go and see if Rai has breakfast ready.  We have to eat before Amjad Khan sends for us."
He needed his wits about him to convince the slave dealer he was nothing more than a poor merchant with two servants.
She turned to obey him, then paused at the tent entrance.
“Colonel Forrest?”   Her voice was a mere thread of sound.
"What is it?" Jonathan asked.
"I am scared."  She didn’t turn around.  “Promise me you will kill me if there is the slightest chance we will be taken prisoner.”

Rhobin, thanks as always for letting me be a part of the Round Robin.
Let's get our cyber skates on and whiz over to see what Connie's input on this topic is:   connievines.blogspot.com
After that you might want to whiz on to the rest of the group that's participating:
* Lynn Crain at http://lynncrain.blogspot.co.at/
* Anne Stenhouse at http://annestenhousenovelist.wordpress.com
     * Diane Bator at http://dbator.blogspot.ca
* Marci Baun  http://www.marcibaun.com/
* Beverley Bateman at http://beverleybateman.blogspot.ca/
* Ginger Simpson at http://mizging.blogspot.com
* Margaret Fieland at http://margaretfieland.com/my_blog 
* Fiona McGier at http://www.fionamcgier.com
Rhobin Courtright at http://rhobinleecourtright.com



Friday, April 25, 2014

April 25th, 2014

April's Round Robin

"You loved the blurb. First page sounded interesting. You bought the book. What makes you throw the book you're reading against the wall, stomp on it and go find another?"

I drop the book at the point the book disintegrates into an ‘every other book’ tale.

When I wrote for a print publisher I saw a distinct ‘drop’ in the writing after the first three chapters in some established authors' books.  Bear with me while I substitute 'hook' for first page.

The first three chapters were the hook that sold the book to the editor and made good reading.

After that there was this ‘oh lets get it done’ story that disappointed.

When the story begins to ‘sag’ it no longer holds me as a reader. 

When it’s the same story line as every other book the author has written, I give up on it.

My best revenge:  I put it down and tell myself 'I won’t try that author again'.

Luckily for me that there are some really good, prolific authors out there who do not disappoint.

As always Robin thanks for letting me have my say.

Now folks get a move on to Connie’s blog to read her take on the subject.


Saturday, March 22, 2014

March 22nd, 2014



VILLAINS



Do you need them? When do you use them, and what is the most diabolical type of villain to you?


Every mystery/thriller needs a villain or a perp as they are called in ‘police speak’.
The perpetrator is as necessary to the plot of a mystery or a thriller as sunshine to a plant.
In the romance genre too, the TV show Dynasty is a great example of how necessary villains are… Krystle Carrington seemed all the nicer when she was constantly battling Alexis’ ploys.
His or her wickedness throws the hero and heroine into sharp relief, draws the reader into the story and has him or her cheering for the main protagonist, the hero or heroine and hoping they will win.

In the young adult mystery series I’m writing:  The Green and Gold Mystery Series, the first three books, January, February (out now) and March (upcoming) have villains that are introduced early in the story.
They are used throughout the story and add richness to the mysteries.

In ‘The Green and Gold Mystery Series:  February’ (now available on Amazon.com), there is a unique twist on the perps.
Instead of being the usual dastardly criminal minds, they were people one can’t help liking.  They were funny, endearing and have troubles of their own.
Was I channeling Arsenic and Old Lace, a favorite movie of mine when I wrote this book?  I think so.  Though there are no murders involved in this mystery, the sisters do challenge the readers’ imaginations and the story has an unusual ending.

The most diabolic type of villains to me are the ones in the following psych thrillers,

A Perfect Murder

and

Along Came a Spider.


I love psych thrillers in which villains are disguised as good guys/gals and keep us guessing till the very end ‘whodunit’.

Please visit the next blog in the Round Rhobin for more:

http://connievines.blogspot.com

Robin thanks for organizing these and including me.